Signing 'Moving On' for a lovely lady at Alresford Library
Saturday, 27 September 2014
One of my favourite poems
Vinegar
sometimes
I feel like a priest
in a fish&chip queue
quietly thinking
as the vinegar runs through
how nice it would be
to buy supper for two.
Roger McGough
Love it!!
Friday, 12 September 2014
How I write
As I have said, I have been asked
several times how one goes about writing a novel. Well, the internet is full of
people with far better credentials than I all offering advice. There is no one
simple recipe which, if it is rigorously followed through, will turn out a
coherent and satisfying 375 page novel at the end, so I will just talk about how I
approach it.
To start, I have to have an idea,
something that gives me a buzz of excitement and I hold onto that. I believe
that if I have a good beginning and a firm grasp of the characters, the story
will tell itself as I work on. When I start writing a book I know the beginning
and what probably happens in the end, but I have only a vague picture of
something going on in the middle, unless my story is based on a detailed real-life
event. By not planning it, I allow for things happening that I never would have
thought of, just because the story wants them to happen. The
danger, of course, is rambling. Having a ready-prepared plan might make you
feel safe, like having a really good map when you are going cross-country. The
problem is that characters have an impish way of doing their own thing and
changing direction half way through the writing of a story or a book so that
you could find yourself – metaphorically speaking - in a clanging, clamouring,
built-up inner city area instead of in the scenic country road you had planned
to be driving along! Actually, those people who plan in advance like this are
rather thin on the ground. I’m told that
even the writers of detective stories often only have jotted notes about the
order in which they need to reveal the clues.
I type quite fast using my two
middle fingers, but I hand-write much faster. The downside of this – and the
reason I don’t do it all the time – is that I seem to go into a sort of elated
trance when scribbling away, thinking as I do it that this is so good; this is going really well – then I am brought down to
earth with a bump when I read through it. It usually seems that I just got
carried away and that much of what I wrote is going to be of absolutely no use
at all. It is really profitable to keep a notebook handy for jotting down odd
notes, which often seem to pop into my mind whilst doing mundane tasks
like cooking or ironing and which pop
out again very quickly if they don’t get written down. I can be mowing the lawn
or peeling the potatoes or waiting for the bus when just the right phrase pops
into my mind or I have a ‘Eureka’ moment about how to solve a tricky plotting
problem, or suddenly I know exactly what x said to y when previously it
wouldn’t come to me. Some people write down phrases or paragraphs in their
notebook, or even write whole chapters and file them away until they find a use
for them or until they have a need for inspiration. Sometimes, of course, there
never is a use for them – it’s reported that Joyce Carey had a whole chest of
drawers filled with chapters out of books that he never got round to using!
I accumulated a lot of facts in my notebook, but discarded
a great deal of them. The reader needs to be involved with and driven along by
the pace of the story, so one can’t allow detailed description to weigh too
heavily or to slow things down. Having worked on it, I have developed a great
admiration for writers like the wonderful Hilary Mantell, Philippa Gregory, and
Alison Weir who produce historical novels packed with period detail and
atmosphere. Often but not always, I tend to write and then research and check the detail afterwards. Having a general familiarity with the decades covered in ‘Someday, Maybe’, I was confident to start with, but realized as I went on that my long-term memory is very far from faultless! Mistakes were inevitable and quite a few details had to be checked. What music was popular at just that moment in time? What was being broadcast on the radio at such and such a time on such and such a day? What kind of radio might it have been? What film might Cathy and Fred have gone to see? Was the treatment of Mary and the medical information correct? The writer of a historical novel wants the reader to be wholly ‘in’ the period that he or she is writing about. That period detail must be accurate. There was a long list of details that needed to be checked, homework to be done; experts, the library, Google and internet pages must be consulted. Visits had to be made.
Then, if one wants to write, on must – well, write! I try to
do at least a few paragraphs every day, even if I discard them the next. As
time has passed, I have accumulated a wobbly array of shoe boxes on my office
shelf, each one containing a screenplay or a novel, finished or unfinished, as
the case might be. Sometimes, of course, they don’t
go anywhere. Sometimes they end up in one of several half-empty boxes. I don’t
want you to think that each time I sit at my desk I confidently set down
another thousand or three words with a flourish. I don’t. It’s amazing how many
things suddenly acquire importance when you are faced with some writing to be
done: those clothes that just won’t wash themselves; the roses crying out for
pruning; that letter that simply must get to the post… Now the children are
long gone, but the husband needs attention. Time passes.
Tuesday, 9 September 2014
A big thank you to all involved at The Cafe on The Green, Cheriton and to all those lovely people who came along and who bought a copy of one of my books. If you couldn't make it, my next book signing will be between 10 a.m. and 12 at the Alresford Library, Broad Street, Alresford on Saturday morning, the 20th September. See you there!
Several people asked, 'How do you go about writing a novel?' I promised to give it a bit of thought so stand by for a little bit on the subject in my next.
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